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I don't draw my models beforehand, it is the material that directs me and the technique invites me to volumes. It's a dialogue between them (subject and technique) and me. I chose modeling porcelain. It has several working textures. It can be worked supple, in a leather look after a drying time, dries like stone. For each aspect a different shaping technique. It was through this observation that I began a formal work on the first gestures of man. I started by scraping, tearing off the porcelain. I crumpled it, braided it like a piece of rope. Working for 10 years for the world of costume jewelry, craftsmanship seemed obvious to me to get back in touch with a personal creation. Lucie, a jeweler and jewelry maker, joined me 3 years ago in this beautiful creative adventure. We work with 4 hands on all the pieces. After these moments of experimentation, we place these pieces of enamelled porcelain on a bust and we try to hang them around a neck. Like small sculptures, we want them to move close to you, to share them, to be able to show off. These are only unique pieces for this line. Each porcelain element requires a new assembly.
Sign up to unlock wholesale pricing on JORDANE SOMVILLE and thousands of brands on Faire, the marketplace for retailers.
Sign up to unlock wholesale pricing on JORDANE SOMVILLE and thousands of brands on Faire, the marketplace for retailers.
Sign up to unlock wholesale pricing on JORDANE SOMVILLE and thousands of brands on Faire, the marketplace for retailers.
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I don't draw my models beforehand, it is the material that directs me and the technique invites me to volumes. It's a dialogue between them (subject and technique) and me. I chose modeling porcelain. It has several working textures. It can be worked supple, in a leather look after a drying time, dries like stone. For each aspect a different shaping technique. It was through this observation that I began a formal work on the first gestures of man. I started by scraping, tearing off the porcelain. I crumpled it, braided it like a piece of rope. Working for 10 years for the world of costume jewelry, craftsmanship seemed obvious to me to get back in touch with a personal creation. Lucie, a jeweler and jewelry maker, joined me 3 years ago in this beautiful creative adventure. We work with 4 hands on all the pieces. After these moments of experimentation, we place these pieces of enamelled porcelain on a bust and we try to hang them around a neck. Like small sculptures, we want them to move close to you, to share them, to be able to show off. These are only unique pieces for this line. Each porcelain element requires a new assembly.