An awe-inspiring collection of Bryan Nash Gill's large-scale relief prints from cross sections of previously felled trees. If there is, indeed, nothing lovelier than a tree, Connecticut-based artist Bryan Nash Gill (1961–2013) showed us why. Creating prints from cross sections of trees, Gill revealed the sublime power locked inside their arboreal rings, patterns not only of great beauty but also a year-by-year record of the life and times of the fallen or damaged logs. The artist rescued the wood from the property surrounding his studio and neighboring land, extracted and prepared blocks of various species—including ash, maple, oak, spruce, and willow—and then printed them by carefully following and pressing the contours of the rings until the intricate designs transferred from tree to paper.