Brilliantly illustrated and designed by the London–based film magazine Little White Lies, Bong Joon Ho: Dissident Cinema examines the career of the South Korean writer/director who has been making critically acclaimed feature films for more than two decades. First breaking out into the international scene with festival-favorite Barking Dogs Never Bite (2000), Bong then set his sights on the story of a real-life serial killer in 2003's Memories of Murder and once again won strong international critical attention. But it was 2006's The Host that proved to be a huge breakout moment both for Bong and the Korean film industry. The monster movie, set in Seoul, premiered at Cannes and became an instant hit—South Korea's widest release ever, setting new box office records and selling remake rights in the US to Universal. Bong's next feature, Mother (2009), also premiered at Cannes, once again earning critical acclaim and appearing on many "best-of" lists for 2009/2010.